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Thursday, March 15 Analysis and critique, Midnight in Paris The movie begins with a Manhattan-ish view of Paris, a bewitching introduction for which Paris Tourism should actually pay Woody Allen his deserved due.
It is green, lush, pretty and brimming with lights, almost utopian. It is right from this beginning that you start wondering as to which side the movie takes. Does it support fantasy? I feel this is somewhat like resolving the Romanticist dilemma which Wordsworth had faced while looking over the Westminster Bridge.
What will the movie choose? Will it uphold a position of reverence to Literature? Therein lies the brilliance of Midnight in Paris. It beautifully, ingeniously and amazingly amalgamates elements of fantasy and reality. And it is done by none other than Woody Allen.
It was so refreshing to view intelligent contemporary humour woven around the likes of Picasso, Dali, Bunuel and Fitzgerald. These demigods of Art and Literature are shown from a time when they were just men.
His biased revelation of these literary idols is not the only picture we see. The process of how they got ideas for their works, their sources of inspiration etc is shown in such a way that this movie would not just appease a bunch of Literature lovers but intrigue a much wider audience.
The painters and artists subtly poke fun at themselves. Their manner of speaking, which may be what it was in reality, clearly comes across as a caricature on screen. Thus, it is a continuous process of going in awe of Literature and then getting shook out of its aura. It was a constant juxtaposition of reality with fantasy.
Every night we would be transported into the world of our subconscious and every morning Freud would greet us back to reality. Another remarkable aspect of the show was debunking the aura of a stereotypical grandiloquent Literature pedant. The object was to deflate the concept of bookish knowledge, reproduced to attract awe of people.
It is majorly a re-iteration of the golden rule that History is what we choose to remember. It was just about a smart game of silencing marginal voices which were probably hindering a controlled conventional societal evolution.
Throughout the movie, we see so many minor occurrences in layers where past and present is paralleled. History has been contested throughout. If one epoch is perfect for someone, for the other it is harrowingly dull and flawed.
He of course chooses Paris; his love for Literature overpowered his love for anything else. But not without critiquing it.
Jean Dujardin and Owen Wilson are seen struggling and jostling their way through the streaming time. Wondering if people change and the time remains constant or is it vice versa. In the end, both get onto life on their own terms, without compromising much. He moves on, even leaves Adriana to again unleash his creative self.
It might be an expression of rebellion against the present. His final walk in the rain on those Paris streets by river Seine is handsomely rewarded. The compensation and future prospects of attempting such headstrong an act it can be deduced pretty transparently. The theme of History being highly intangible and fluid has been explored to the maximum.
He then turns into a memory collector. Ships back and forth in time, transports and transacts everything through the currency of a cherished nostalgia. I would like to conclude by presenting my favourite part of the movie.
He plays with you.- The star-studded romantic comedy Midnight in Paris is one of Woody Allen’s most recent films which he did both, wrote and directed.
It is a film about a man named Gil (Owen Wilson) who travels to Paris with his fiancée’s parents in order to expand his imagination and he ends up embarking on a journey to the s while walking the.
Woody Allen mocks the American lifestyle through the ways in which he portrays the typical, ridiculous American family – Inez and her parents – who are overly concerned about class, status and materialism.
As exciting as a visit to Madame Tussaud’s Wax Museum, Midnight in Paris is a parade of colorful characters from ’s France, including Impressionists, Surrealists, writers and American expatriates of the era who congregated there for inspiration and artistic freedom.
5. Usingcontextclues,explain!the!meaning!of!pseudo.! Gil:!!”He’vetconnexx.comittlebit.”!!! Inez:!!“Ah,!Gil,!I!hardly!think!he’d!be!lecturing. Paris is Burning by Jennnie Livingston deals with the culture of drag in New York in the s, which was shown in the Ball competitions wherein men who impersonate, or better yet try to live as women walks and are judged based on their dancing ability, the beauty of .